"Neverwhere [the Movie]"
1968. 11 min. A 16mm drawn animation and live action. Animation part is sequential animation on tracing paper, 12 frames per second. Live action is only a short prologue and an epilogue for the main animated part. Movie won a C.I.N.E. Golden Eagle and President of Japan Cultural Society trophy and two other awards. (Other movies)
Keywords: Unwanted. Pushed. Sack. Fairy. Portal. Queen. Hero. Magic. Monster. Fight. Kidnap. Fall. Water. Defeat. Prize.
Synopsis [story spoiler]: Man is reading a book of A Princess of Mars by Edgar Rice Burroughs. Co-worker wards off his proposal, and in the end he quits because of non respected work. He finds an sparkling fairly kind of thing who draws for him an instruction of transporter. A voluptuous girl, a disposed queen asks his help. An evil Lord has stolen a magical Lognar staff from her. She talks him over and guy steps into portal. He transforms into an muscular adonis. The Queen calls him as "Den" and she can materialize things, like weapons. For a hero a guy has to fight a lot, monsters on sea and land. In the end he will meet Gel face to face and takes the Locnar from him and hand it to the Queen.
Comment: The guy is acted by Richard Corben himself. The boss is his real boss at that time, Ed Faust at Calvin Productions in Kansas City. Live action is frame story and it lasts about one thrid of the movie (mostly in the beginning, but also shortly in the end). The movie is well edited, but that is not surprise, because they did at Calvin. The animation scenes are made by Mr. Corben, as is the whole story. Story has meaning and it is very interesting. "Den [I]" comic version is logical sequel for it, though it is complete also in itself. Den in animation version is uncle of Den in comic version. Mr. Corben said in the forewords of the very first comic version that the idea for film came from the visual concept of a live actor transforming into an animated drawing before the viewer's eyes. The entire movie was written around that one scene. Animation was made on tracing paper to eliminate cell expense, and the result works fine. Characters moves authentical and actions have enough room to be done. Tracing paper does not spoil the mood, conversely it gives an unique feeling.
Extra: Mr. Corben made over 8,000 drawings for the film [revieled in an interview, The Magic World of Richard Corben by Rudi Franke in Voice of Comicdom #17 (1970)]
Copyright © 2003 Heart-Attack-Series, Ink!, SidSid Keränen
Appeared first time November 25, 2003. Last modified May 25, 2005.
